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natarajar lintel panel preah vihaar.jpg

This amazing sculpture is from Khao Preah Vihear, Cambodia. We have already seen a few amazing sculptures from this, today we are seeing a very unique lintel freeze of Shiva as Nataraja. From a distance you can see the lovely depiction of shiva with his ten hands, creating a feel of the cosmic dance.

closeup of natraja.jpg
the nataraja panel.jpg

As we explore more, under him, we see a beautiful depiction of Vishnu as Sesha sayana - reclining of his seprent anantha, with his consort lakshmi lovingly massaging his feet ( badly damaged though). You can also see brahma seated on his lotus pedestal that emerges from Vishnu’s navel. To their right are two cute parrots, and on top of them a mythical beast and a rider. To their right we see two monkeys?

the vishnu panel underneath.jpg

Thought of stopping at this, but as we look closer at the dancing Shiva, we see two spectators ardently enjoying his dance, though their heads have broken off - the statue maybe headless but not clueless, the body parts of the person on to his right - show that its a lady. Now our task becomes is simple, how many ladies have been granted the privilege of watching shiva dance - it could only be the famous Karaikkal ammaiyar. We have some magnificent bronzes from the cholas. Leaves us in no doubt as to who is depicted. We will see the legend of this great devotee in a coming post, but she did ask for her beauty to be taken away by the lord. Maybe this was part of the disfigurement. She is often called as the ghost lady.

We will see in another post, the detailed life history of the great lady and why she got the ghost form

closeup of natraja.jpg
karaikkalammai.jpg
karaikkalammaiyaar.JPG
the nataraja panel.jpg

But how did such a very south Indian character ( sadly even many tamils would not be able to remember her) reach Cambodia. Could it be the handiwork of our craftsmen, chances seem remote as the facial features of these sculptors are more south east asian than indian. Maybe they were trained under the same canons of art or the religious scriptures, verses, literature traveled that far.

images courtesy
http://www.sundial.thai-isan-lao.com/phanom_rung.html


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Category: Sculpture

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This entry was posted on Monday, October 6th, 2008 at 8:20 and is filed under . You can follow any responses to this entry through the RSS feed. You can leave a response, or trackback from your own site.

3 Comments so far

Satish Kumar
  1  

Wonderful. I think 1000 years back (or even till later period) Saivism was predominant in the SE asia and thats why we have so much of Hindu influence in SE asia region.

Good post and really an enlightening one.

Satish

October 6th, 2008 at 20:27
Lalita
  2  

Hello,

Karaikkal Ammaiyar is not depicted in Cambodia. There is an excellent book in this topic that clearly shows that the figure in Camboadia and other parts in Southeast Asia is another figure.

Kāraikkālammaiyār
Part 1: An iconographical and textual study
Part 2: Poems for Siva
ISBN 978-90-811564-1-7
148 pp. 19 colour plates, 13 B/W plates
Published February 2007
see: http://www.dhyani.nl/Books.htm

August 30th, 2009 at 15:29
Lalita
  3  

Hello,

Karaikkal Ammaiyar is not depicted in Cambodia. There is an excellent book in this topic that clearly shows that the figure in Cambodia and other parts in Southeast Asia is another figure.

Kāraikkālammaiyār
Part 1: An iconographical and textual study
Part 2: Poems for Siva
ISBN 978-90-811564-1-7
148 pp. 19 colour plates, 13 B/W plates
Published February 2007

see: http://www.dhyani.nl/Books.htm

August 30th, 2009 at 15:31

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