Can we afford to be Lax in our followup of bringing back our cultural treasures ? It is a question which we posed to our readers some months back in this post….
Sadly the trend seems to be continue in current ” progress” on the Kapoor story. We find a detailed account with varying dates , numbers given in the Idol wing’s website with the foot note reading as under:
Present Stage of the Case :
There were two temple burglaries in Sripuranthan Village and Suthamally Village during 2006 and 2008 which 28 antique idols of Hindu Deities of immeasurable value were stolen and subsequently smuggled out of India and illegally exported to USA”
Compare the same to the case registered
“It was during interrogation of those persons, it transpired that 18 Antique Metallic idols were stolen from Sri Varadaraja Perumal Temple at Suthamalli village by the three of them”…..” theft of eight idols in an another Sivan Temple at Sri Puranthan Village in Ariyalur District”
“…….18 Antique metallic idols from Sri Varadaraja Perumal Temple at Suthamalli village. A Non Bailable Warrant was issued to the petitioner and for recovery of stolen idols. Blue notices were sent for extradition of the petitioner to CBI, Interpol, New Delhi. It was further found that the same gang was also involved in the theft of eight Antique metallic idols stolen from Sri Pragdeeswarar Temple at Sri Purandan village in Ariyalur District. They were also exported to the U.S.”
So the case files reference to 18+8 = 26 bronzes.
Another reference mentions only 18
“On 13.04.2008, in a famous temple viz., M/s.Arulmigu Sundareswarar and Varadharaja Perumal Thirukovil, Suthamalli Village, Udayarpalayam Taluk, Ariyalur District, as many as 18 idols, made of panchalohas were stolen away.”
While the most glaring anomaly is in the number of bronzes stolen there seems no consenus on the actual year they were stolen and illegally exported out of India. To make matters worse the Idol wing’s most important tool - ie the release of the photographs in such poor quality and most irresponsible manner in which they affixed erroneous names to the exhibits : Real howlers like Deepalakshmi ( lady with the lamp!!) for an Amman bronze, Sampanthar for Manikkavasagar and Krishnan for Sambandar. The second set of photos have equally ridiculous labeling : Deepalakshmi for Astradevar, Murugan for Chandikeshwara.
The Pdf published in the same site thankfully makes a few corrections but is still wrong in many. However it is important to note that the Chandikeshwara shown in the website ( titled Murugan) is absent in the pdf and now has a proper subramanya. So let us count.
8 listed under Suthamalli and 8 listed ( count Nataraja + uma as 2) under Sripuranthan. The photo of Chandikeshwara seems to match the set from Suthamalli. So overall we have images only for 17 bronzes.
We have already published information on the pdf file and the two images marked in Green have been identified with bronzes currently exhibited in two major museums. This information has already been passed on to the authorities and hopefully they will act on them. It is important to mention that they seem to have acquired them as early as in 2006.
It is pertinent to mention that The Australian has just published a list of 21 items acquired from Subash Kapoor that need to checked. The most interesting is this masterpiece Sambandar.
We do not have a visual match for it from any of the published bronzes from the Idol wing ( as obviously they wrongly labelled dancing Sambandar as narthana Krishnar and then Manikkavasagar as Sampanthar !!).
We understand the the IFP has in its archives atleast some (more) of the photos from both the temples and it is sad to see that a complete itinerary of the assets have not been tallied and presented to the courts yet.
It is pertinent that the Idol wing and other authorities show more interest in solving this case in entirety and not just do lip service Galleries and Museums who have bought these stolen items have to shown proof to make them return these artifacts.
for example, below are some bronzes which are yet to be identified by us but published in the catalogues of Art of the Past.
Dancing Krishna / Navaneetha Krishna - Catalogue September 2008
The styling of this Krishna is contemporary the Sambanthar from Australia.
Skanda - Chola - Catalogue September 2008
This is a very important chola subramanya ( distinct from the previous one we posted)
Ganesha - Chola - Catalogue September 2009
It is important to notice that the base has been removed from this bronze. We have already seen that the bronzes from Suthamalli have inscribed bases reading ” Suthavalli” being found in both the Natarja and Uma pedestals. Were all the bronzes similarly inscribed and is it the reason why they had their bases removed? If so is this bronze part of the stolen yet unlisted one from Suthamalli ? Further we have information that the IFP has one bronze listed as Ganapthi under their roll number 02235. Will the authorities make the effort to check this?
Uma - Chola Catalogue September 2011
Classical Chola beauty. We hope this is part of the sculptures covered in the latest twist from America side.
Nataraja - Chola Catalogue March 2011.
Fantastic chola Nataraja and not matching any of the bronzes published by the Idol wing. It is pertinent to point out that the IFP has two bronze Nataraja’s listed in their archives under roll number 11207 from Sripuranthan. Was there a second Nataraja stolen from the same temple?
We have also had a kind volunteer submit paper cuttings of Art of Past advertisements in Art of Asia volumes and they have been invaluable in ascertaining provenance for ( yet unreported) findings. However, there are a few more interesting bronzes from those which we are putting in public domain for people to help report.
This is different from the published Somaskanda from suthamalli - photo from the Idol wing which is still to be traced.
Jaina MahaYaksha - Chola
Very rare to see a Jaina bronze but sculpted in classic Chola style.
Parvathi - late Chola ?
We hope the above will help unravel more and spur the authorities to do a more through job
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