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In our continuing pursuit to bring to light the extent of the rot - today we move away from Hindu dieties and metal - to stone and Buddha - not any Buddha but a Buddha from Nagapattinam 11th Century. This was a dynamic period in the Chola rule when the mighty Emperor Sri Raja Raja ruled much of South India. His extensive donations to the Soodamani Vihara in Nagapattinam is studied to this day and to spot one such piece in the September 2010 Catalogue of now arrested Subash Kapoor’s Art of Past is the subject of our post today.

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buddha

What is interesting is there is this particular article in the Hindu with the image dated Nov 11th 2012, which seem to bear a remarkable likeness to the catalog sculpture.

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The foot note makes it even more interesting: ” The Buddhist statue marked for theft by alleged Kapoor associate, Sanjivi Asokan, but not stolen owing to police action.”

and the report goes ” One Buddhist idol was said to have been marked for theft by Kapoor’s alleged head of operations in Tamil Nadu, the now-imprisoned Sanjivi Asokan. However, that idol was ultimately not stolen, quite likely due to timely action by authorities. “

The image in the publication is not very clear but there is a very important clue in the Buddha’s hand - his right thumb is broken.

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A careful study of the catalog reveals the same breakage in it as well.

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Now obviously something is amiss. The Catalog listing also boasts that the said sculpture was exhibited in the Asian Civilisations Museum, Singapore ” On the Nalanda Trial “ from 1st Nov 2007 to 23rd March 2008. It was a prestigious exhibition which was seen even by the Prime Minister of India Dr Manmohan Singh.

exhibited

The Press release of the ACM for the event has this said sculpture with a detailed foot note as well

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“…viewed stunning Buddhist art, including this 11th Century stone sculpture from South India, weighing over 700 kg.”

Now, what timely action are we talking off. The photo in the Hindu seems to be of the Buddha in situ in a site in India ( large temple wall abutting it??) -

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Category: Sculpture

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This entry was posted on Thursday, November 14th, 2013 at 14:55 and is filed under . You can follow any responses to this entry through the RSS feed. You can leave a response, or trackback from your own site.

2 Comments so far

injamaven
  1  

You’re tracking them down, one by one.

November 14th, 2013 at 19:59
  2  

The stone-shafted pillars of India, usually referred to as Asokan pillars, can be separated into two age groups: pre-3rd century BCE and later. The early pillars bear, or bore, on their tops copper gilt images of the lion, the bull, and the elephant. Of these the lion image is by far the most frequent. It is also the youngest, replacing the bull and elephant images. It occurs in the region formerly occupied by the republican, warlike Licchavis and later by the Nandas. In style the images show the influence of the Anatolian Hittites (20th century-8th century BCE), as do those of the south Chinese lions of the 2nd century BCE—6th century CE. The Indian lion representation gradually changed its form, partly because most of the sculptors probably had never seen a lion, which was rare in India compared with west Asia and which today exists only in west India, and partly because it was intended to represent the broadcasting of a spiritual image. By the 11th century CE its shape had become unrealistic, humanoid, and subsequently became increasingly so.

November 22nd, 2013 at 1:12

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