Archives by Category: ‘Sculpture’

Nov

Shiva cuts off the head of his Father in Law - Tanjore Big temple

My friend Mr.Satheesh Kumar is an ardent sculpture lover like me and he offered to get me some nice photos of the tanjore big temple. Little did i realise that he will get me such a rich collection. We are going to see one interesting panel from his collection today.

As usual, we go for the story first:

Shiva’s consort Parvathi is born to Dhaksha - the king of mountains ( she is fondly called malai magal - in tamil - malai - mountain, magal - daughter). When she comes of age, she expresses desire to marry Shiva ( as is destined), but being a vain king, Dhaksha ( he himself being the son of Brahma) refuses to give his youngest daughter, whom he so lovingly brought up, in marriage to shiva - for he considers him uncouth, wearing animal hides and living in the cemetery, accompanied by ghouls/demons/ etc.But Shiva marries Parvathi and Dhaksha is not able to stand this insult.

He plots his revenge,and tries to insult Shiva, by organising a massive penance/sacrifice, but doesn’t invite Shiva, the foremost of Gods. However,hearing of this big event in her home, Parvathi’s heart and love for her family, makes her plead with shiva to let her go and attend the function. Shiva cautions her, that she will not be welcome and doesnt give her permission to go. However, love blinds the eyes of paravathi and despite the advise of Shiva, she lands us as an uninvited guest in Dhaksha’s palace. There she is not given any respect and is witness to all insults thrown at Shiva. Not being able to bear these and having acted against the advise of her husband, in anguish she kills herself in the sacrificial fire ( meaning, she gets rid of her material body which had affection to family there itself and takes her divine form). However, this enrages Shiva and he cuts the head of dhaksha and throws it into the sacrificial fire.

A bit later, Brahma and other rishis come and plead with Shiva, to forgive Dhaksha. Shiva obliges, but since the original head has already been consigned to flames,he cuts off the head of a sacrificial lamp and fits it on Dhaksha’s head ( inter species head transplant - how is it?)

Now lets look at the sculpture - Satheesh has masterfully taken the pictures to give you an idea size ( with ball pens for scale)

The story board is broke into two sides of the staircase - on one side is the beheading episode and on the other is the head transplant. wonderful depictions.

See the first part, the assembled guests are shown - towards the back of the composition against the wall. Then you see Shiva seated in a lovely pose, with Parvathi leaning non nonchalantly with one arm on nandhi. she is flanked by her assistant to her right.

The crucial scene kind of flow through the entire panel - Dhaksha’s severed torso is shown, fallen to the ground, with his wife lamenting with her hands towards the sky, and shiva is shown clutching the severed head by the hair and dropping into the sacrificial fire ( he has an evil looking sword in his hand - kind of reminds of the blade - neck cutting video’s we saw from iraq)…the priest who is next to the fire is turning away in disgust.

Shiva consigning dhaksha head into the fire.jpg

the fallen dhaksha and his wife grieving over.JPG

To the right of the composition, we see three ladies and three men - faces turned in aghast at the beheading and almost freezing to flee - their highly strung bodies about to run away - towards the end we see much mutilated but clearly - two beings running away from the scene ( note the size of the composition with the ball pen scale)

The other side - is a prettier picture - a beautiful standing depiction of Shiva, complete with his axe and deer, with a snake adorning his waist - being pleaded to by Brahma, looked on by three rishis. The final scene, we see a revived Dhaksha with a Ram’s head, in all humility,bowed along with the others - showing deep respect for shiva.

A delightful panel. Trust you enjoyed it as much as i did. i loved the depiction of shiva with the snake hanging by the waist.

A unique depiction of Vishnu Fish incarnation

Today we are to see a very unique depiction of Vishnu in his fish incarnation. Matsya (Fish in Sanskrit) was the first Avatar of Vishnu in Hindu mythology. Matsya Avatar or the Fish Incarnation is the first of the ten Divine Incarnations or Dasavatars of Lord Vishnu. Vishnu is the Preserver of the Universe in the Holy Trinity or Trimurti of Brahma, Vishnu and Shiva in Hinduism.

A Kalpa, meaning one cycle of existence, with a span of 4320 million years, in Hindu Mythology, is equal to one day of Brahma, the Creator of the Universe. On the verge of completion of each Kalpa, and one day of Brahma, Brahma falls asleep. When he does so all of Creation, dissolves into his sleep, signifying the end of Creation. Except, the Vedas are immutable and beyond destruction. Their habitat is inside Brahma. They contain the instructions for Creation, and are hence indispensable to resume the Divine Creational Process. Bhagvat Purana, reports, that once Brahma yawned and the precious Vedas, flowed out of his lips.

Matsya Avatar Meanwhile, Hayagriva, the Asura or demon, scheming to gain the desired immortality, a prerogative of the Devas or gods, was wandering nearby. He instantly stole the Vedas and devoured them. Such insidious intent of the Asura, precipitated a crisis. Vishnu, who feigned Nidra or Sleep, witnessed the entire offence. He was speculating on how to retrieve the treasured Vedas, when he located the pious King Satyavrata, offering prayers to Vishnu, with his waist deep down in water. Satyavrata is also called King Manu.

Vishnu immediately assumed the shape of a tiny fish and swam into Satyavrata`s hands. Vishnu, in the disguise of a fish, entreated Manu, who is virtue personified, to save him from being engulfed by the big fish. The kind Manu put the small creature inside a vessel, full of water. Overnight, the fish outgrew on a surprising scale. Manu had to shift him from the vessel into a bigger tank. But the fish continued growing abnormally. It requested Manu for larger space to live, and Manu accordingly kept it in a pond. Manu, exhorted by the enlarging fish, then dropped it in the greater expanse of a large lake. However, the growth rate did not stop escalating. Finally, the bewildered Manu, impelled by the fervent appeal of the mammoth fish for enormous space, placed him in the ocean. But the fish urged Manu, not to leave him in the ocean. Otherwise, the gigantic ocean-beings would swallow him. It was then that the devout Satyavrata, already amazed by the extraordinary growth-speed of the magical fish, pledged it to disclose its actual identity.

Lord Vishnu made his Celestial Revelation before the awed Manu. Satyavrata, instantly bowed down before him and wished to know the reason behind the Lord`s appearance in the frame of a fish. The omniscient Lord, informed him about the forthcoming Pralaya or Destructive Forces that would vanquishing the Earth, with Great Deluge- “I have manifested for the protection of this universe and for the destruction of the wicked. Just a week from now, the ocean will rise and inundate the entire Universe. At that time you will see a spacious boat approaching you. Do collect all the seeds , plants and animals required for the next spell of creation and get into the boat and wait for me. Take Vasuki, the King of Snakes. The Sapta Rishi or the Seven Sages will also be with you.”

Matsya Avatar left to accomplish its mission. He tore apart the Asura Hayagriva, and collected the lost Vedas.

As had been predicted by the Divine Fish, an all-annihilating flood occurred. Meanwhile, a boat appeared where Satyavrata was waiting with the seeds, plants and animals, and the Sapta Rishi, to take refuge in the boat amidst death`s clutches. When everybody had boarded the huge boat, the boat was fastened to the Fish`s horn, with Vasuki serving as the rope ( as i remember reading in Amar Chitra Katha). They sailed in the turbulent water, all through the night of Brahma`s single day. Vishnu thus, rescued life from ceasing. He also by giving shelter to all the creatures, maintained the flow of life that will perpetuate in the next Created Cosmos.

The Matsya Avatar of Vishnu focuses the perpetual love and concern of the benevolent Vishnu,

Ok, but generally vishnu is depicted with a human form waist up and a fish form - ( as is evident from this pillar from srirangam)

But today we see a unique depiction with the forms reversed. Fish upper body and a human lower body - this is from Belur. A very unique and cute sculpture.