பட்டடக்கல் - சாளுக்கிய வாயிற்காப்போன் குறித்த மறுமொழிகள் http://poetryinstone.in/lang/ta/2009/11/17/a-chalukyan-horned-door-guardian-pattadakkal.html Wed, 23 May 2012 18:28:10 +0000 http://wordpress.org/?v=2.7 hourly 1 stable mats இவரால் http://poetryinstone.in/lang/ta/2009/11/17/a-chalukyan-horned-door-guardian-pattadakkal.html/comment-page-1#comment-1795 stable mats Fri, 27 Nov 2009 16:22:05 +0000 http://www.poetryinstone.in/?p=2732#comment-1795 Oops was doing a google search for horse training and came across this post. Not exactly what I was searching for but much more interesting lol! Oh well, gotta get back on the saddle so to speak...thanks, bp Oops was doing a google search for horse training and came across this post. Not exactly what I was searching for but much more interesting lol! Oh well, gotta get back on the saddle so to speak…thanks, bp

]]> Vijay இவரால் http://poetryinstone.in/lang/ta/2009/11/17/a-chalukyan-horned-door-guardian-pattadakkal.html/comment-page-1#comment-1781 Vijay Tue, 24 Nov 2009 05:45:50 +0000 http://www.poetryinstone.in/?p=2732#comment-1781 thanks rhoda, for the lovely links.Narthamalai is a treasure trove. I had posted earlier based on Kathie's travelogue http://www.poetryinstone.in/lang/en/2008/09/19/thirst-for-art-knows-no-boundaries-narthamalai-a-guest-post.html thanks rhoda, for the lovely links.Narthamalai is a treasure trove. I had posted earlier based on Kathie’s travelogue

http://www.poetryinstone.in/lang/en/2008/09/19/thirst-for-art-knows-no-boundaries-narthamalai-a-guest-post.html

]]> rhoda alex இவரால் http://poetryinstone.in/lang/ta/2009/11/17/a-chalukyan-horned-door-guardian-pattadakkal.html/comment-page-1#comment-1780 rhoda alex Mon, 23 Nov 2009 14:20:27 +0000 http://www.poetryinstone.in/?p=2732#comment-1780 the Narthamalai temple also looks very similar to the Pattadakal temple or lets say the Kailasanatha temple at Kanchipuram. I had visited the place recently and I checked the photos of the dwarapalakas and yes one of them surely has the trisul behind his head! Since my photos are not that great...here are some links to good ones from the net. http://www.ola.in/galleries/Narthamalai/source/17.html http://www.flickr.com/photos/11237108@N04/1428574062 dont know whether this help in the argument..but i understand that some historians give the temple a Pallava origin. the Narthamalai temple also looks very similar to the Pattadakal temple or lets say the Kailasanatha temple at Kanchipuram. I had visited the place recently and I checked the photos of the dwarapalakas and yes one of them surely has the trisul behind his head! Since my photos are not that great…here are some links to good ones from the net.
http://www.ola.in/galleries/Narthamalai/source/17.html
http://www.flickr.com/photos/11237108@N04/1428574062
dont know whether this help in the argument..but i understand that some historians give the temple a Pallava origin.

]]> Kathie B. இவரால் http://poetryinstone.in/lang/ta/2009/11/17/a-chalukyan-horned-door-guardian-pattadakkal.html/comment-page-1#comment-1766 Kathie B. Tue, 17 Nov 2009 12:50:47 +0000 http://www.poetryinstone.in/?p=2732#comment-1766 I'm with you. The TrisulaYudhaPurusa exists earlier in TN. I'm looking at one from Kanchi, on either Kailas. or Mukhtesvarar. Is it always the right hand guardian? Another unusual feature of the Pattad. guardian: the big hair is in a snood.[a net] I’m with you. The TrisulaYudhaPurusa exists earlier in TN. I’m looking at one from Kanchi, on either Kailas. or Mukhtesvarar. Is it always the right hand guardian?
Another unusual feature of the Pattad. guardian: the big hair is in a snood.[a net]

]]> Vijay இவரால் http://poetryinstone.in/lang/ta/2009/11/17/a-chalukyan-horned-door-guardian-pattadakkal.html/comment-page-1#comment-1764 Vijay Tue, 17 Nov 2009 09:52:14 +0000 http://www.poetryinstone.in/?p=2732#comment-1764 http://www.tamilartsacademy.com/articles/article43.xml It is also pertinent to point out that a reverse travel of art motives from Tamilnad to Western region is seen at a much earlier period. The Pallava ruler, Rajasimha, 690 to 728 CE, built the great temple of Kailasanatha at Kanchipuram. Immediately after his death, Kanchipuram was invaded by the Chalukya ruler, Vikramaditya II in 732 CE. He took artists from Kanchipuram to his capital where his Queens built the Lokamahadevisvaram (Virupaksha temple) at Pattadakkal. Scholars have been pointing out close similarities between the Pallava and the Chalukya temples of this period. Wars inflict human suffering and destruction. Historians have been focussing attention on such destruction and also on the vanity of the victors. There is another side to the wars namely the influence they exerted over the invader, in various fields, which may be termed "victory reversed". A study of different ancient wars from this angle may be worth pursuing. http://www.tamilartsacademy.com/books/mamallai/new-light.xml Rajasimha, the greatest lover of art on earth dies; his son Paramesvara-II comes to the throne. Immediately he has to fight and his rule was short. Nandivarman, it is stated usurps the throne of Kanchi. He himself is driven out of Kanchi by Vikramaditya-II and runs for his life. Vikramaditya inspects the Kailasanatha temple of Kanchipuram. He is wonderstuck with the beauty of the temple and loftiness of the king. He pays tribute to Rajasimha by himself donoting gifts to the temple, without destroying it. Catches hold of the great artists, like Sarvasiddhi acarya (33. F. H. Gravery and T. N. Ramachandra. The three main styles of Indian temple Architecture. Page 18==19.) and removes them to his capital and there at Pattadakkal comes up a temple on the same model of Kailasanatha temple. Nandivarman struggles throughout his life for the power http://www.tamilartsacademy.com/articles/article43.xml

It is also pertinent to point out that a reverse travel of art motives from Tamilnad to Western region is seen at a much earlier period. The Pallava ruler, Rajasimha, 690 to 728 CE, built the great temple of Kailasanatha at Kanchipuram. Immediately after his death, Kanchipuram was invaded by the Chalukya ruler, Vikramaditya II in 732 CE. He took artists from Kanchipuram to his capital where his Queens built the Lokamahadevisvaram (Virupaksha temple) at Pattadakkal. Scholars have been pointing out close similarities between the Pallava and the Chalukya temples of this period.
Wars inflict human suffering and destruction. Historians have been focussing attention on such destruction and also on the vanity of the victors. There is another side to the wars namely the influence they exerted over the invader, in various fields, which may be termed “victory reversed”. A study of different ancient wars from this angle may be worth pursuing.

http://www.tamilartsacademy.com/books/mamallai/new-light.xml

Rajasimha, the greatest lover of art on earth dies; his son Paramesvara-II comes to the throne. Immediately he has to fight and his rule was short. Nandivarman, it is stated usurps the throne of Kanchi. He himself is driven out of Kanchi by Vikramaditya-II and runs for his life. Vikramaditya inspects the Kailasanatha temple of Kanchipuram. He is wonderstuck with the beauty of the temple and loftiness of the king. He pays tribute to Rajasimha by himself donoting gifts to the temple, without destroying it. Catches hold of the great artists, like Sarvasiddhi acarya (33. F. H. Gravery and T. N. Ramachandra. The three main styles of Indian temple Architecture. Page 18==19.) and removes them to his capital and there at Pattadakkal comes up a temple on the same model of Kailasanatha temple. Nandivarman struggles throughout his life for the power

]]> Vijay இவரால் http://poetryinstone.in/lang/ta/2009/11/17/a-chalukyan-horned-door-guardian-pattadakkal.html/comment-page-1#comment-1763 Vijay Tue, 17 Nov 2009 09:51:39 +0000 http://www.poetryinstone.in/?p=2732#comment-1763 Geetha madam, i will post shortly on two small Later pallava shrines from Kanchi - the Mathangeshwara and Mukteshwara shrines - the door guardians are all four armed. rgds vj Geetha madam, i will post shortly on two small Later pallava shrines from Kanchi - the Mathangeshwara and Mukteshwara shrines - the door guardians are all four armed.

rgds
vj

]]> Geetha Sambasivam இவரால் http://poetryinstone.in/lang/ta/2009/11/17/a-chalukyan-horned-door-guardian-pattadakkal.html/comment-page-1#comment-1762 Geetha Sambasivam Tue, 17 Nov 2009 09:45:09 +0000 http://www.poetryinstone.in/?p=2732#comment-1762 //நான்கு கைகளை கொண்ட சிற்பம் ( முற்கால பல்லவ வாயிற்காப்போன் சிற்பங்கள் இரு கைகளுடன் மட்டுமே உள்ளன -// எப்படி நான்கு கைகள் உள்ள வாயிற்காப்போன்??? குழப்பமாய்த் தான் இருக்கு! :( வாயிற்காப்போன் தான் என்று நிச்சயமாகிவிட்டதா? திரிசூலநாதர்??? வாயிற்காப்போன்??? //நான்கு கைகளை கொண்ட சிற்பம் ( முற்கால பல்லவ வாயிற்காப்போன் சிற்பங்கள் இரு கைகளுடன் மட்டுமே உள்ளன -//
எப்படி நான்கு கைகள் உள்ள வாயிற்காப்போன்??? குழப்பமாய்த் தான் இருக்கு! :( வாயிற்காப்போன் தான் என்று நிச்சயமாகிவிட்டதா? திரிசூலநாதர்??? வாயிற்காப்போன்???

]]> V. Dhivakar இவரால் http://poetryinstone.in/lang/ta/2009/11/17/a-chalukyan-horned-door-guardian-pattadakkal.html/comment-page-1#comment-1761 V. Dhivakar Tue, 17 Nov 2009 09:06:12 +0000 http://www.poetryinstone.in/?p=2732#comment-1761 >>>>இதே சிற்பிகளை தான் சாளுக்கிய மன்னன் எடுத்துச் சென்று அங்கே உபயோகித்தானோ என்ற கேள்வி<<<< When he won the war against pallavas, it's natural that a winnier king takes all wealth of nation. Here (after observing Kailasanathar Temple), the Chalukya must have thought the actual wealth is Sculptures and the people who did. In general, Sculpturists used to go places to places to show their skill. Dhivakar >>>>இதே சிற்பிகளை தான் சாளுக்கிய மன்னன் எடுத்துச் சென்று அங்கே உபயோகித்தானோ என்ற கேள்வி<<<<

When he won the war against pallavas, it’s natural that a winnier king takes all wealth of nation. Here (after observing Kailasanathar Temple), the Chalukya must have thought the actual wealth is Sculptures and the people who did.

In general, Sculpturists used to go places to places to show their skill.

Dhivakar

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