Many a tourist has taken a picture having it as their backdrop. The immaculate proportions of this sculpture defy imagination. On a moonlit night one would easily mistake its silhouette for a real elephant. But what is it doing inside the `so called’ five rathas complex.
To understand this you got to understand the evolution of the humble temple towers of south India…however to make it short, we are taking you on a pictorial tour….just keep in mind that the sculptor did not just try to exhibit his art here but also wanted to educate the viewer…only 1400 years ago ! such was the knowledge pool then, that these places of worship were not confined merely to awaken religious thoughts but also served as veritable treasure houses of art, literature, theater, community etc.
Ok, back to the question .. Whats the elephant doing amidst all the art work in Mahabalipuram.
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Seeing it as you walk towards the ratha complex you cant still make out the significance.
A few careful pointers …and you are focusing on the elephant and then the building next to it.
seeing them in isolation…no get them both into the same frame…not like that …not from the front…
move towards the side , the rear….now does it dawn on you. ….
yes, the style of the mandabam is called gajapristam …( Gaja – elephant, pristam – back…in sanskirt)…the greatness of this composition is the positioning of the two. Keep in mind both are carved out of live rock…and done specifically in that fashion …so that generations to come understand.
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Lot of locals miss an important site just off mahabalipuram…so spare the tourist…..its another great treat left behind by the illustrious Rajasimha Pallava…its just about a km before you enter mallai town to your left….you can see the ASI board…yes there are still excavations going on……..
seemingly simple…but deceptive..calmly nestled between gently swaying palm fronds and the beach sand….lulled by the sound of the waves….you are at saluvankuppam. There are 3 important sites for us to see here…We will visit all three in separate posts…
The tiger caves is an impressive structure….from the back its a simple boulder..live rock…but that was not how the pallava sculptor visualised it…..walk around and you are stuck for words…a lovely grandstand…capped by 11 massive yaazhi’s ( yes the tiger or more closely lion is also a misnomer..if you watch carefully you will see the delightfully carved horns of these magnificent beasts)….
To truely appreciate this you got to get an idea of the gross dimensions…ok, time for me to peep in…now the ugly looking person is me…all 100 kgs….now does that give you an indication of the massiveness of this entire composition…
The stage is slightly offcentre as you see two mounted elephants to one side…in straight profile. the stage iself is capped by a set of prancing lions … a rajasimha trade mark
the identity of the riders is a not known as nature has taken its toll…you can vaguely make out just the outlines….yes we did manage to climb upto to the elephants and take a couple of shots of the rider housed inside the howdah…quite dangerous as there are no proper footholds….
ok, you are hiking up a 1300 year old pallava sculpture….where else in the world can you touch and feel such a artifact..the danger is multiplied by the fact that the audience section of the stage is set into the floor like a pond and collects rain water….so you are risking a bath in a muddled pool as well.
what a magnificent spectacle…such massive work on hard granite…and 1300 years of wind, sea …man…yet these have retained their beauty…magnificent proportions..a living tribute to the mastery of the sculptor..
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