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In the previous post, we saw stylistically the earliest and latest somaskanda images.

Today, we are going to see why the Somaskanda Panel in the Dharmaraja Ratha is the earliest available panel of this form.

Lets take a look again at the Somaskanda panel from the Dharamaraja Ratham and the sketch.

Somaskanda dharamaraja ratha
somaskanda dharmaraja ratha

To compare it with say a typical Rajasimha style Somaskanda - we have a beautiful almost perfect specimen from the Rajasimeshwara Temple in the shore temple complex ( the shore temple is a complex shrine comprising of an earlier Vishnu shrine buttressed by two shiva shrines - the Rajasimeshwara and Kshatriyasimeshwara shrines - the Kshatriyasimeshwara too has a Somaskanda but we will see that in a subsequent post)

shore temple rajasimeshwara somaskanda
shore temple

A sketch to assist you in finding the differences. Lets see if you can point out the characteristic differences between the two Somaskandas.

A further twist to the various puzzles that abound in Mallai, the Ramanuja Mandaba is the most complete of the structures but due acts of vandalism - its like a slate that’s been wiped clean. Someone has chiseled out the door guardians, the three relief panels inside as well.

ramanuja mandabam mallai
vandalised somaskanda outline ramanuja mandabam mallai

But as they say no crime is perfect, the chiseled out panel does leave an outline. The central shrine clearly shows the outline of a Somaskanda

anotherview of ramanuja mandabam ss outline
ramanuja mandabam ss outline

Lets try and trace that and see what style is it - the Dharamaraja Ratha style or the Rajasimeshavara style.

somaskanda outline ramanuja mandabam mallai

To assist you, i am giving some additional outlines of the Shiva and Umai sides of the Dharamaraja Ratha Somaskandar

shiva dharamaraja ratha somaskanda panel
umai - dharmaraja ratha somaskanda

Hope you dont need any further clues. Lets test your observations skills.

Images courtesy:

Varalaaru.com. and Mr Ashok

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Friends, thanks for following the posts and offering your encouraging words. Please note these are not thoroughly researched or expert opinions, but merely our path of learning which we are sharing with you. We do not want to say that this is correct, but this sharing is more to inspire many more to walk this path. We try and take care to make sure that we do not publish something that is grossly wrong, but if and when mistakes or another reading is there, we encourage readers to enlighten us as well. Why this long disclaimer for this post, you may ask, well the post is like that.

Today, we are to see part one of a series on the evolution of the Pallava Somaskanda icon. At the outset, we offer our thanks to Dr Gift, whose online resource is heavily relied on in this series.

http://www.cmi.ac.in/gift/Archeaology/arch_somaskanda.htm

This series is aimed at asking questions and find simple yet logical solutions, but the puzzle is indeed big. So without scaring you away, lets jump into the introduction of this series. The Pallava Somaskanda.

The basic argument which will be used in this series is evolution and see how the sculpture evolved into its current form. What is its current form? Borrowing these beautiful bronzes to show the form in its final evolved iconography

somaskanda_ex06
ex06b

To study their features and compare we will also show you tracings ( copies) as line drawings

modern somaskanda front
modern somaskanda reverse

This is current day bronze. But do we have the first first / earliest or atleast earliest surviving prototype. Yes, we do have. Its in the upper tier of the Dharamaraja Ratha of the five ratha complex in Mamallapuram.

Somaskanda dharamaraja ratha
somaskanda dharmaraja ratha

Since this is an intro post, we just let it sink in. In the following posts of this series we will travel around the region, and try to find a logical sequence to the evolution of this image.

Photo credits:
Special thanks to www.Varalaaru.com and www.exoticindiaart.com for the images

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