Quantcast

Posts Tagged ‘Pallava’


Talk of abstract art, the sculptors of Mahabalipuram have for long captured my imagination. But despite breathing through all their works, i am still not able to comprehend their motives. For their class and perfection, why did they choose such subjects. Sculpting into the hardest stone and sculpting images of Gods is one thing - but take this little known Bas relief in Mahabalipuram - its right behind the Trimurthi cave, is purely a work of master art. The beauty of
this creation mimics the grace of nature.

Elephant panel long shot.jpg
mallai elephants closer.jpg
some more closer.jpg
another view.jpg
spectacular.jpg
the mail elephant.jpg
the baby elephant.jpg
the monkey.jpg
the peacock.jpg

From the bull elephant’s majestic grace, to its baby playing digging into the sand and its swirling trunk, the mother elephant’s head alone is shown above the Bull elephants body - Oh, such life. Sadly the bigger baby’s head is broken, but from the other three Elephants - look at the skill of the sculptor - the male elephant is shown with manly charm, majestic, the female with a loving almost motherly smile,while the baby is all mischief.

There is no parallel to Pallava sculptor when it comes to this - look at the graceful lines of the peacock. And to top it, the monkey - Oh, i am lost for words here. He seems to be alive and looking up at the viewer. Maybe the Pallava sculptors were alchemists or magicians who could turn living beings into stone by casting a spell or waving a wand. I cannot see these as hammered with chisel on stone, for they are breathed upon. A surreal experience.

The puzzle is as to why they toiled so hard on this panel - for it represents no God, no legend, no mythological scene. Almost like an elaborate florish of an artist on seeing a sunrise, an extempore speech by an orator on a hot debate, an outburst of poetry by a poet on seeing his lady love, the cheruby smile of an infant on seeing his mother - as if the sculpture wanted to capture a scene, just that this was not a mere brush stroke - but years of work! Why did he do it?

Images courtesy : Ponniyin Selvan egroup mallai trip - Mr. Shriram and Mr. Vinjamoor Venkatesh.

Leave a comment »


I was discussing Pallava rock cut sculpture and showing ( off) my site to a few friends over the weekend, when a friend from Trivandrum commented he had seen similar in a cave in Vizhinjam near Trivandrum. This set me off to search for that cave, and surprisingly very few information is available.

While i did manage to locate the cave and its amazing sculptures, very little information is available on the same. Some sites mention of it as a 18th C creation, while to me the style resembles pallava sculpture more ( kathie please help). Guess, i need to go back to reading more about cave sculpture in south india and when the tradition stopped. I was of the opinion that is stopped with the structural temples gaining prominence closer to Rajasimha Pallava. Anyway stylistically this looks much much ancient that whats its credited with.

side view 2 of the cave.jpg
side view of the cave.jpg
tha front view of the cave.jpg
the stone block.jpg

Some anomalies though, instead of the standard door guardians at the entrance we see sculptures of Shiva holding a bow ( surmise as Tripuranthaka ) and Shiva with Parvathi ( in a sad state). the main deity i head is that of Vinadhari Dhakshinmurthy, which however, is not carved out of the bed rock - but is a separate sculpture.

the main idol.jpg
vinadhari dhakshina murthi.jpg

Please have a look at the sculptures below.

another view of tripurantaka.jpg
shiva + parvathi.jpg
shiva n parvathi.jpg
the stone block.jpg

Chanced on this lovely video as well.

A lovely detailed video of the cave

Picture courtesy: Mr. Hari
http://picasaweb.google.com/vihar7/TemplesOfVizhinjam#5225771479151879650

Leave a comment »

 Page 21 of 30  « First  ... « 19  20  21  22  23 » ...  Last »