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Posts Tagged ‘parvathi’

Its not often you get blessed thrice in the same day. It was my wife’s birthday and we happened to be in Tanjore and first stop @ big temple( for her - me and Arvind had already been to Pullamagai in the morning!!). Pushed our luck by calling Kudavoil Balasubramaniam Sir, and such a humble person that he is, he immediately came to meet us and gave us a guided tour of Periya Koil.

kudavoil+sir+explaining

We have already seen the Dhakshan beheading panel and the Kama Dahana panels previously.

Shiva cuts off the head of his father in law

Shiva burns the lord of love

The current panel is a sequel to those. Shiva has been convinced to come back to becoming a householder and Dhaksayini has been reborn as Uma - the daughter of Himavan, the King of the Mountains. Maybe the only verse i remember from Sanskrit class is atha osadhinaam athipasya vrithow !!! from the Kumarasambava. Not sure if the current story is found in Kalidasa’s version, but it loosely follows the rendition in the kantha puranam ( though a later work to the sculpture).

The background plot is simple, Himavan is convinced by the seven Rishis sent by Shiva and agrees to give his daughter to Shiva. Now comes the tough part, to convince his wife - Menai. The Queen, being what any mother would be, comes over to take a look at the bridge groom for the first time, expecting him to come dressed in all his finery and flanked by the very best in the procession.

Lets see how Shiva turned up for his marriage procession - keep in mind current day baraats - the festivities , revelry and sarees, sherwanis, jewelery and money that are on display- the bridegroom in a designer sherwani on a majestic white horse, with an assortment of pretty looking women and boisterous men , equally decked up.

shiva+as+bridegroom

Here he is, wearing his elephant skin trunks, with his horde of Ganas, on his bull. There is a pet snake thrown in as well, rearing up form his left hand as he nonchalantly turns around to pose for the camera !!

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snake

What a shock it would have been to the welcome party. No wonder, the future mother in law Menai panicked

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She is already scared for he known for taking the heads ( brahma, dhaksha) , she refused to accept that this uncouth youth could be her son in law.

Finally, Brahma, Vishnu, Narada all came and explained the actions of Dhaksha that led to his downfall and the mighty grace of Shiva to have restored him to life albeit with a Goat’s head. The marriage does take place and finally - ALL IZZ WELL in Kailash - and ready for the birth of Kumara !!

shiva+umai

A big thanks to Kudavoil sir. But Sir, has explained this sculpture differently in his latest book, will see it shortly.

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We have seen the evolution of the Somaskanda form in stone so far. Most of the works we studied are assigned to the Pallava period. As we progress into metal images, we see today an early bronze Somaskanda. We tend to associate bronzes mostly with the reign of the Cholas but there are some wonderful depictions before them as we will see today.

pallava+period+somaskandar

The date of this bronze is assigned to late Pallava period based on stylistic grounds. A few pointers to this, is the small size - this is about half the size of a 10th C Chola bronze Somaskanda, but more than the size, experts opine the posture and general styling are off an earlier date than 9th Century CE. Sadly the skanda is missing in this group.

What is it about the posture that we need to take notice.

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the+slant+of+the+sculpture

Shiva majestically seated in the Sukhasana pose, but do you notice a slight inclination to the back, which makes him more majestic to the viewer.

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The depiction of the figures and faces are also unique. Shiva’s face is almost round with a medium sized Jata makuta ( crown made of branded hair locks). The nose, eyes, lips and mouth seem to be modelled by hand. He wears two kanthis ( necklets) and a Hara ( necklace). The Yagnopavitam seems to be made of plaited gold wires, with a knot on his left chest.

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uma
shiva+face+ornaments
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Another pointer to its early date, is the way the multiple arms are handled - the upper arms are bifurcating from the lower ones at sharp angles.

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The way the attributes are held and the hand poses are also definitive clues.

Shiva

Interesting to see the arm bands of shiva - they are off the Keyura type - naaga vyalas.

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ornamentation+hands+attributes
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Uma

The face is round but the features are sharp and graceful. Interesting there is no trace of Mangalya sutra in this figure. She wears a conical Karanda Makuta.

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The rendering of the limbs are more supple and not muscular.

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delicate+feet+upturned+parvathi+garment

The ornamentation is beautiful, the detailing of the body shapes especially the waist lines are exquisite. Its important to note that though the belt clasp is very ornate its yet to get to the simha mukha type seen in later bronzes..

fashionable+waistornament+and+beautiful+crafting+ofwaist+shiva
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uma+waistcloth+pinkosuvam

The Siraschakra ( head circle ornament) which we saw much pronounced in the stone sculpture, has come down in size. The six locks of braided hair, divided into two groups are simply superb.

ciraschakra+headring+locks

The chest nipple of Shiva seems almost as pressed on later.

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How does this all sum up to prove the early date of this bronze ? We will see a 10th C and a 12 C Chola bronze and analyze it in a similar manner to complete our study.

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later+chola+bronze+circa12thC

Ref: Bronzes of South India - Sri. K. R. Srinivasan

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