The previous posts on karaikkal ammai was very elaborate and short on sculpture, but had to be that way in order to introduce the great saint. Will try and make amends with this post of her sculpture, amazingly captured by the chola scuptor in Gangai Konda Cholapuram, Rajendra Chola’s amazing creation. ( An intro post for this is pending and will post shortly)

For a more detailed reading of the amazing temple, please visit Dr. Nagaswamy’s site where he has hosted his entire book on Gangai konda Cholapuram

http://tamilartsacademy.com/books/gcpuram

While the beauty of the dancing shiva, is a site to behold, his dance duel with kali in the forests of alangadu must have been quite a spectacle. Chola bronze natarajas are indeed masterpieces of art but the stone sculptor seems to have competed with his metal working counterpart to create this amazing sculpture of Adavallar ( Adal – dance, vallar – Kind or supreme exponent ) – aka Nataraja ( Nata – Dance, Raja – King).

A delightful figure of four armed dancing Siva – what a charming smile on his radiant face, holding kettle drum in the upper right arm and boon bestowing palm on the lower right. The upper left carries fire and the lower left is thrown across the body in gajahasta. The matted locks are flying in rhythm on either side. On the right is shown Ganga. By the left side of the leg is shown an eight armed dancing Kali, carrying drum, sword, trident, abhaya, dandahasta etc. A three legged figure, maybe Bringhi rishi ( we see his story in another post). He is dancing on a very fat musalagan ( the demon – or apasamara pursha – signifying ignorance – apasamara forgetfullness, purusha – man!!) and he is not been trodden to death – he is still very much alive ( see his head trying to lift himself up) but kept under check by his feet.
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Now, we come to the main object of this post, watch the panel just under the dancing shiva – Below the feet are three Ganas shown playing symbols and maddala, and then there is our Karaikkal Ammai, who on account of her devotion, was endowed this privileged position of being seated below the seat of the Lord, singing his Greatness.

On the west side wall is shown Surya on top. Subrahmanya seated on peacock is shown flying towards the Lord while Ganapati moves equally briskly on his rat. Further down is four armed Nandikesvara playing maddala. Chandra is shown on the top on the side wall to the east. The armed Goddess Parvati is leaning on a majestically looking bull which is a bit startled; she holds a lotus in her right arm.

The greatness of this composition is the expert depiction of emotions into stone – The nonchallant divine bliss and grace on the radiant face of the lord, the anger in the form of the bulging eyes of the dancing kali, the comic stance of the three legged bringi rishi, the enjoyment in the face of the shiva ganas and the sheer joy in Karaikkal ammai’s who is leaning up and joyfully clapping her hands, the calm grace of Parvathi compared to the bull which is a bit freaked by the dancing wrath of Kali ( watch is eye level , its seeing the fearsome face of kali)..what a magnificient creation.

Ok, have cut paste the above images to highlight the intricate details in this creation. Enjoy
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Karaikkal ammai sang some of the most inspired verses on the dancing lord and especially about tiruvalangadu, quoting a few here ( ok, she has taken a ghost form – as you read in the previous posts, so her songs are a bit graphic)

11th tirumurai – 1st song

http://www.thevaaram.org/thirumurai_1/songview.php?thiru=11&Song_idField=11002&padhi=040&startLimit=1&limitPerPage=1&sortBy=&sortOrder=DESC

The breasts have dried up ; the nerves are bulging ;
Sunk are the eyes and hollow is the maw ;
Ruddy are the gums in the two rows of teeth ;
Two white teeth are jutting out ; long are;
The raised ankles : thus, even thus is she – a ghost ! ;
In the withered wood she abides screaming. ;
In that wilderness of a forest, with His flowing ;
Matted hair wafting in all the eight directions;
He – our Father -, dances carrying in His ;
Cool body, the fire. Behold Tiruaalangkaadu ! ;

Translation: S. A. Sankaranarayanan (2007)

22nd song

http://www.thevaaram.org/thirumurai_1/songview.php?thiru=11&Song_idField=11002&padhi=040&startLimit=22&limitPerPage=1&sortBy=&sortOrder=DESC

He sports a crescent in His matted crest ; He, for ever,
Dances His twirling dance ; His waist is cinctured
With a serpent. Lo, whoever, by His grace,
Is able to sing and dance out this decad
Of Karaikkaal Pey of fiery mouth and sharp teeth
That abides in the crematory,
Will be freed clean of all sins.
Translation: S. A. Sankaranarayanan (2007)

19th Song

http://www.thevaaram.org/thirumurai_1/songview.php?thiru=11&Song_idField=11002&padhi=040&startLimit=19&limitPerPage=1&sortBy=&sortOrder=DESC

It is a crematory where bodies burn crackling
And where lofty bamboos scatter white pearls !
There the huge and loud-mouthed ghouls
Of dry and dangling hair and tired bodies
Foregather and eat to their hearts’ content
The corpses ; it is in such a great crematory
The One of gramarye dances ; the Daughter
Of the Mountain witnesses this in wonder.
Translation: S. A. Sankaranarayanan (2007)

Got some better pictures
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