Quantcast

Posts Tagged ‘Thirukurungudi’


Garuda and Hanuman were my favorite characters and i used to get drunk on Amar Chitra Katha books. They had some wonderfully illustrated color pages and text.

garuda cover.jpg

So today, i share one such story and support it with a sculpture from Tirukurungudi ( thanks to our latest contributor - Sri Giridharan - who has shared his vast collection of photos - we will feature more of his contributions in the coming weeks). Garuda is so well know not only in India but all over south East Asia - Indonesia, Thailand, Cambodia, Vietnam….

angkor
angkor thom
angkor wat 2.jpg
cambodia
garuda danang musuem
nepal
prasatkravan

The story of Garuda’s birth and deeds is told in the first book of the great epic Mahabharata. Garuda’s father was the creator-rishi Kasyapa. His mother Vinata and her sister Kadru - both gave birth in a strange manner. Vinata laid two eggs and her sister a thousand. In due course the 1000 of Kadru hatched into snakes, anxious that her eggs had still not hatched, in her haste Vinata tried to open one of her eggs. Sadly, the baby was only partially formed - he advised his mother to be patient with the remaining egg, and flew off to be the charioter of the Sun - he is called Urud or Aruna. ( incidentally his sun is our famous Vulture Jataya who valiantly fought Ravana while he kidnapped her in his flying chariot).

The sibling rivalry between Vinata and Kadru was intense. One day both of them saw the divine white horse - Uccaihsravas, which is one of the precious items that emerged from the churning of the milk ocean ( along with Koustubam - the jewel that adornes the chest of Vishnu). Vinata was struck by its fabulous white mane, while the wicked Kadru was jealous of her and tricked her into a bet. She said the white horse had a brown tail, Vinata was sure that it was pure white - and so accepted the bet - if it were brown she and her sons would be enslaved to Kadru. Kadru now sought the help of her snakes sons - who quitely went and covered the tail of the horse - so that next day when both the sisters went to the garden they saw Uccaihsravas with a brown tail ! Vinata had lost the bet and her son was destined to be born into bondage.

Wisned by the experience Vinata waited patiently for her remaining offspring - Garuda first burst forth from his egg, he appeared as a raging inferno equal to the cosmic conflagration that consumes the world at the end of every age. Frightened, the gods begged him for mercy. Garuda, hearing their plea, reduced himself in size and energy.

Resolving to release his mother from this state of bondage, Garuda approached the serpents and asked them what it would take to purchase her freedom. Being mortally scared of Garuda and his powers, the snakes named their price - nothing less than the drink of immortality - elixr of Amrit. It was a superhuman task for the Gods guarded Amrit, since it was the source of their immortality. They had ringed the elixir with a massive fire that covered the sky. They had blocked the way to the elixir with a fierce mechanical contraption of sharp rotating blades. And finally, they had stationed two gigantic poisonous snakes next to the elixir as deadly guardians.
( There is another version of this legend which says the snakes wanted Garuda to bring them the moon whose spots were filled with Amrit)

Now, we take a detour to a offshoot and the sculpture part of this post, before returning to the main plot. As he had just hatched, Garuda was ravishingly hungry, and sought out his mother to feed him. The mother not used to feeding birds, advised him to go to the seashore and find beings to eat - but warned him not to harm any Brahmins and if he did so, he would have a terrible burning sensation in his stomach. Garuda went to the seashore and ingested a whole village of fisher folk - including their animals, houses and all. Suddenly he felt a burning sensation in his belly and realised his folly, he spat out the Brahmin, who requested him to spare his wife ( a fisherwomen!) - Garuda did as his command and went to meet his father Kasyapa for advise on feeding.

Kasyappa advised him to proceed to a lake where an Elephant and a Tortoise were fighting. The tortoise was said to be eighty miles long ! and the elephant one hundred and sixty !! Garuda swooped on them and caught them both in his claws and perched on a huge tree to devour them ( the tree was eight hundred miles high !! wow). However, the weight of all of them broke the branch and to his horror Garuda found many Rishis praying ( tied upside down) on the branch. Lest he harm them, he swiftly caught the branch in his beak, still holding the elephant and the tortoise in his claws, flew to a nearby mountain peak - there he let loose the rishis and finished his meal of the two foes!!!

Now, for the sculpture, adding the Amarchitra Katha shots as well.

Amarchitra katha 1
Amrchitra katha 2
Amarchitra Katha3

This lovely sculpture is from Tirukurngudi - watch the detailing of the strength of Garuda, the elephant and the tortoise and he branch in his beak with the upside down rishi’s. Amazing.

Garuda tirukurungudi 1
Garuda Tirukurungudi 2
Closeup Garuda tirukurungudi
Garuda thirukurungudi 3
Garuda tirukurungudi 4

The rest of the legend for those interested to now - Garuda hastened toward the abode of the gods intent on robbing them of their treasure. Knowing of his design, the gods met him in full battle-array. Garuda, however, defeated the entire host and scattered them in all directions. Taking the water of many rivers into his mouth, he extinguished the protective fire the gods had thrown up. Reducing his size, he crept past the rotating blades of their murderous machine. And finally, he mangled the two gigantic serpents they had posted as guards. Taking the pot of elixir, he launched again into the air and headed toward the eagerly waiting serpents.

Garuda_by_Hyougushi_in_Delhi
amrit garuda.jpg

En route, he encountered Vishnu. Rather than fight, the two exchanged promises. Vishnu promised Garuda the gift of immortality even without drinking from the elixir, and Garuda promised to become Vishnu’s mount.

thirukoilur.jpg
tirukovilur

Flying onward, he met Indra the god of the sky. Another exchange of promises occurred. Garuda promised that once he had delivered the elixir, thus fulfilling the request of the serpents, he would make it possible for Indra to regain possession of the elixir and to take it back to the gods. Indra in turn promised Garuda the serpents as food.

At long last, Garuda alighted in front of the waiting serpents. Placing the elixir on the grass, and thereby liberating his mother Vinata from her servitude, he urged the serpents to perform their religious ablutions before consuming it. As they hurried off to do so, Indra swooped in to make off with the elixir. From that day onward, Garuda was the ally of the gods and the trusty mount of Vishnu, as well as the implacable enemy of snakes, upon whom he preyed at every opportunity.

Thirukurungudi Photos: Mr. Ashok and Mr Giridharan
Tirukoilur Garudan pic: Mr. Sathiyan

Leave a comment »

For all the long years that was in my motherland, i had not yet discovered by true thirst for my language, thought the love for art was there since long. It was a chance introduction of one of well wishers Sri Divakar who brought me into a forum that made me realise the beauty of my mother tongue and like a toddler learning to walk, i relearnt my mother tongue, trying to find my release through the amazing mintamil forum. I was egged on during those initial stages of just a few lines on sculpture to deeply analysing and inferring literature, bakthi and their interplay with sculpture - was catalysed by the interactions i had with Mr. Kannan. a stunning academic whose love for the language and the great devotional hymns, amazed me. As luck could have it, Mr Ashok my photographer friend came up with a set of amazing sculptures from Tirukurungudi, one look a them and i decided inorder to do justice to the mastery of these beauties, the right person to write about them would be Mr Kannan. Grateful to him for agreeing to do so and come up with such a great post in such a short duration. Read on and enjoy…..

It often amazes me! You and me look at a rock, a barren hill as stone. But an artist sees a temple inside. How else could we have those marvelous cave temples in Mamallapuram, Ajanta and Ellora?
There are plenty of stones around us. But only an artist sees God in a stone. A poetry is hidden in words. Poetry is hidden in stones as well. I shoot a butterfly on the other day. It was so beautiful that I felt that this butterfly is nothing other than a Haiku written by the flower! Can we say this? Yes! we can. Beauty and order are the
essence of creation. Whenever there is beauty there is poetry. Vijay has rightly called his blog “Poetry in Stone”.

But of course most of us don’t see a poetry in rock or a flower. We need to develop those aethetics. Tirumular a saint poet of India says that when you see a wooden elephant, at that moment you ’see’ only an elephant and not the wood. In the same way, when you see nature, you see only the elements but not the god. This is certainly an art. To see a poetry in stone and God in everything.

Thirukurungudi.jpg
Thirukurungudi2.jpg
unfinsihed gopuram.jpg

Nammalvar, the poet saint of southern India expresses it in a different way. He visited Tirukurungudi. He saw God there. He saw ONLY god and nothing else. Not even the ’seer’. Only ONE existed. He says
then “If then, how dare I call myself an entity?” I think Nammalvar is correct. After seeing these beautiful sculptures, one forgets oneself. Only the Poetry in Stone Exists.

Govardhana Giri.jpg
krishna flute.jpg
narasihmar.jpg
vastra haranam.jpg

The popular belief is that Sriman Narayanan decends now and then as Avatars on earth, as it is one of the playgrounds for him (Leela Vibhuti). Among the most popular Dasavatar (ten) Vamana is celebrated by saints and poets. As it reflects the sentiments of Tirumular and Nammalvar beautifully. Pali was a great ruler,in fact, he was referred as ‘Mapali’ the great one! All the worlds under the heaven was his (in fact, he owned the heaven as well). He naturally forgets God, the creator. This story repeats after his great grand father Hiranya who was a tyrrant and egoist. He was slayed by Vishnu for the same reason. However, Pali is also the grandson of Prakalatha, a well known devotee
of Vishnu. So, Vishnu didn’t kill him but he wanted to show him a lesson. He came as a dwarf and asked for three feet of land as alm. Without relizing the fact that he was God himself, Pali promised HIM his land. Next moment HE grew so big that the entire known universe is under one feet and the unknown universe under another feet. Even Brahma the creator of universes got baffled by this enormous BEING. He realized that HE must be the ‘real’ creator and so he washed HIS feet using water in his kamandala. The water flew in the heavens there after as “Akasa Ganga”. Later Siva brought that to earth for earthly uses. The God who resides in Tirukurungudi is none other than this
huge entity. This beautiful myth is captured in stone.

tiruvikrama.jpg

HE appeared once to the call of Gajendra. Under distress Gajendra called for help. He requested the roots of all roots to appear in front of him to remove his distress. So he called “Adi Mulame” (the
one from it everything springs, the undifferentiated ONE). Before THAT appeared everything else such as all the Devas, Trimurthi, Rishis and Munis appeared. Why? They wanted to see who THAT one was? At that moment Sriman Narayanan appeared in his Eagle cart (Garuda vahanam)
majestically. This story is depicted as poetry in stone as well.

tirukurungdui tiruvikrama.jpg
tiruvikrama.jpg

However, the most interesting one is Krishna stealing butter. The most popular myth of India and elsewhere. Krishna is an avatar of Vishnu as well. However, with a difference. While rest of all avatars are magnificent and majestic. This one is ‘down to earth’. A playful child, mischievous to the core. Naughty and charming. Nothings escapes his charm. Not even the cattle and trees in Brindavan. Krishna is embodiment of beauty, simplicity and benevolence. He undertook major tasks for the benefit of people around him like a child play (the samhara or the destruction of evil in this avatar is unparalleled) mainly to make himself accessible to his dear ones as a child companion to play with. That’s why Krishna is accepted by everyone without cast, creed and religion. This beauty is etched on stone with the same charm in Tirukurungudi.

When poetry emerges, it charms, it enchants and it mesmerize. At that moment only poetry exists. Paranirvana, Satory, Moktsha. Don’t you feel that at this moment in this blog?

Leave a comment »

 Page 1 of 1  1