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Posts Tagged ‘Pallava’

Happy Deepavali Wishes to friends !! Trying to post on something associated with the basic theme on the origins of the festival. We head back to Mamallapuram, to our favorite relief Panel, to see Vishnu as Varaha, rescuing mother earth - the damsel in distress, rescuing her from the dark depth after slaying Hiranyaksha.

mallai+varaha+panel

The subtle emotions depicted in this masterpiece of stone crafting - cut into hard granite, as a wall in a rock cut cave shrine, is a feast for our eyes. But then, a chance glance at another sculpture ( haven’t had the good fortune to travel to Rome - yet to marvel at these beauties, but hope someday i would get it - so these images are from the internet and credits given at the end of the post) - a marble masterpiece of Gian Lorenzo Bernini, which he fashioned even before he was 23 years of age, made me wonder. If only the Pallava sculptor had tried his hand at sculpting in marble. Why?? Read on.

The piece we are going to see today is the famed The Rape of Proserpina.

Bernini
bernini_proserpina

The scene depicted is very interesting indeed. The main characters are Pluto, Proserpina and below them Cerebrus !

You can read the full story on wiki, but jist is

” Venus, in order to bring love to Pluto, sent her son Amor also known as Cupid to hit Pluto with one of his arrows. Hmmmm, vaguely familiar story. Ok, we wont digress, Proserpina was in Sicily, at the Pergusa Lake near Enna, where she was playing with some nymphs and collecting flowers, when Pluto came out from the volcano Etna with four black horses named Orphnaeus, Aethon, Nycteus and Alastor. He abducted her in order to marry her and live with her in Inferi, the Roman Underworld, of which he was the ruler.

Her mother Ceres, the goddess of agriculture or of the Earth, went looking for her in vain to every corner of the earth, but wasn’t able to find anything but a small belt that was floating upon a little lake (made with the tears of the nymphs). In her desperation Ceres angrily stopped the growth of fruits and vegetables, bestowing a malediction on Sicily. Ceres refused to go back to Mount Olympus and started walking on the Earth, making a desert at every step.

Worried, Jupiter sent Mercury to order Pluto (Jupiter’s brother) to free Proserpina. Pluto obeyed, but before letting her go he made her eat six pomegranate seeds, because those who have eaten the food of the dead could not return to the world of the living. This meant that she would have to live six months of each year with him, and stay the rest with her mother. This story was undoubtedly meant to illustrate the changing of the seasons: when Ceres welcomes her daughter back in the spring the earth blossoms, and when Proserpina must be returned to her husband it withers.”

Now, this looks as very much a prelude scene to the Varaha. If the Pallava sculptor had sculpted Hiranyaksha taking Boomadevi, lets imagine so and see this beauty in marble.

From Pluto’s side, see the rippling muscles and masculine force

masculine+form+pluto

On the side of Proserpine, its all serpentine curves, the anguish and despair gushes through

stunning+feminity.jpg

Lets compare with Varaha. He holds her up majestically and seats her on his thigh , while she is gentleness personified.

varaha+devi.jpg

Proserpina is pushing out at her abductor and trying to break free

compare+contrasting+emtotions

Whereas, Devi is making eye contact with him.

eyes+lock

The masterpiece of the young artist, she how he brings in the feel of flesh into stone. How the rough handling of an abductor - The Hands of Pluto on her

as+supple+as+flesh
cant+call+this+stone
grasp+of+an+abductor

and how she pushes at him, the flesh on his face .

thehand+of+prospine+on+pluto's+face

Compare the hands of Varaha on Devi, its almost a caress, a loving embrace of the right hand, while the left hand holds a steady yet soft grip on his leg.

a+gentle+caress
saviour+tight+grip
tender+affection

You can see the anguish and the tears on the Face of Proserpine

face+looking+up+in+anguish+tears

Compare to the shyness in the face of Devi, as her right hand is almost moving to touch and feel the chest of her Lord ( notice the left hand is bent under her chin to complete the expression !!)

notice+shyness+devi.jpg
notice+the+righthand.jpg

A thousand years split the two creations, both great masters - One whose praise is sung to this day and the other who chose to remain anonymous.

Want to end the post with these two once again.

cant+call+this+stone
boomadevi's upper garment fallen loose

Image and content credits :
Ashok and Shriram for Mallai.
Rest: ( if i have inadvertently missed out please let me know, will include)
http://www.flickr.com/photos/23362396@N00/3321845987
http://www.students.sbc.edu/vermilya08/Bernini/Pluto%20and%20Proserpina.htm
http://www.youtube.com/watch?v=nXR2YZxgDV4&feature=player_embedded#!
http://en.wikipedia.org/wiki/The_Rape_of_Proserpina

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Its been an amazing journey taking our readers through the last couple of posts, as we are treated to ring side seats to this delightful recreation of a lost pallava painting, from the Kanchi Kailasantha temple of Sri Rajasimha Pallava ( 700 CE !!), moving with the artist stage by stage.

pallava+somaskanda+remananets.jpg
pallava+somaskanda+remanents2.jpg
pallava+somaskanda+remanents3.jpg

We had started of by blocking in most of what we could salvage from the surviving pieces and started working on filling the finer details. The main hero of this panel comes up now. Shiva.

shiva+face1

Next Umai, takes form.

umai+face

Working on the divine mother a bit more. We notice that she is wearing a thin yellowish blouse or has applied turmeric on her upper torso.

umai+blouse
umai+color

The coloring starts now, with very light skin tones.

coloring+started

Shiva gets his color including his famous Neelakanta !

finalising+shiva

Umai matches her beloved now.

umai+face+final
umai+coloring
umais enhanced figure

Lets see how they both pair up.

composition+brahmapose+to+change

Its coming up quite well. lets add more color and fill in the details of Shiva’s Keyuras ( arm bands)

shiva+keyura+arm+ornaments
shiva+neelakanta

The bottom ganas and stands get colored up.

throne+color

and as we approach the final stages of the composition, time for a quick stock taking. Have we missed any detail.

coloring+the+composition

We forgot to correct the hands of Brahma, to be in the anjali pose.

redo+brahma.jpg

This is where we go back to the origins of this study on Somaskanda evolution - the 1971 article of Dr Gift Siromoney.

http://www.cmi.ac.in/gift/Archeaology/arch_somaskanda.htm

“Of Siva’s four arms, his lower right arm is extended horizontally to the side with his hand in the position of holding something, such as a flower, though no object is actually shown. With his upper right hand he holds a snake by its tail. His lower left hand is in the ardha-dhyana mudra. His upper left hand is near his shoulder as though holding a rosary or akshamala. Siva’s left leg is down.”

This is ofcourse his reference to the early pre Rajasimha Style somaskanda sculptures. But there is no reference to the snake in the Rajasimha style Somaskanda. But his pointer made us search for the snake in more detail.

notice+siva+lower+right+hand

Do we see something in the lower right hand?

snake+detail

Do you see the raised hood of a beautiful Cobra. We incorporate it into ours.

snake+on+hand

and without further delay, with many thanks to the artist Mrs. Subhashini Balasubramanian and our young photographer jagadeesh, we have our recreation of the 8th Century lost wonder.

Somaskanda+Complete

We hope you all enjoyed this attempt ( any mistakes are purely unintentional and we are open to comments)

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