She came to life and I became metal

We have mostly seen stone sculptures till now, just taking a break to showcase another master creation – in bronze, not just any bronze but a famed chola bronze.

A chance Advt in the local Tv channel led me to go to the Asian civilizations museum in Singapore last june (07). Btw Its located just off raffles MRT across the Singapore river.

The entrance fees were not steep ( sgd 8 for adults and 4 for children) -I was greeted at the entrance itself by a large cut out of a chola bronze – an 11th C Uma Parameshwari. ( my son strikes a pose)

There were a couple of other chola bronzes ..incl one of young Sambandar dancing. There was also a beautiful stone sculpture of Subramaniar ( Chola Period).

After having seen the cutouts of the bonze, couldn’t wait to see the piece in person. So i kind of rushed through all the other exhibits and almost ran to the main hall. The piece de resistance – the Uma paramershwari idol was a special exhibit

I was stunned into silence on the viewing the exhibit. True you have often seen temple bronzes and Panchaloka idols, the small sized but delightfully detailed processional images – but to view a true
masterclass authentic chola Bronze, cast a 1000 years ago,by the lost wax method,a painstaking yet breath taking process – wherein each image is unique, crafted by the expert fingertips of the master sculptor first into bee wax, then covered is special grade sand/clay, fired then in a kiln that melts the wax, leaving the sand cast, then hot metal is poured and then the cast is broken – that’s what I meant by each image is unique.

The exquisite green sheen lent it an aura of mystic, transcendental beauty, transporting me back in time, I couldn’t just step aside, my total attention riveted and arrested,stunned,for a full ten minutes, maybe such was the greatness of the immovable object in front of me that it poured its characteristics into me,locking me into it,turning me into a statue. My bodily functions, my senses all ceased to respond, all energies focusing instead to highlight the visual overdose that was overpowering, yet casting me into a sense of sheer bliss. The magnificence of this piece was breathtaking yet at the same time poetic, a strange aura of genuine happiness, of seeing the handiwork of a gifted artist over 1000 years ago, surviving and continuing to do its duty – of blending art with spirituality, the mastery of craftsmanship – the statue was at best 2 feet in height, but the detailing was exquisite, the grace and calm of her face and love in the smile,the sharpness of her nose, offsetting the immaculate eye brows, the enchanting eyes, the lovely locks of her hair falling into rolling tresses over her shoulders, the intricate ornaments on his neck, the grace of her poise – the gentle sway accentuating the narrow waist, the beautiful and elaborate work on her lower garments,her hands and fingers bring life to the figurine, she came to life and I became metal. That is the power that a chola bronze can wield over you.

16 thoughts on “She came to life and I became metal

  1. விஜய் நீங்கள் ஒரு சிறந்த கவிஞ்ஞராகி விட்டீர்’
    உங்கள் வர்ணனை சிற்பங்களை விட ப்ரமாதமாய் இருக்கிறது


  2. Were these sculptures excavated from Singapore or in and aroud the area ?

    My intention of the question is to find the nativity of these statues. Whether the statues were made in singapore are exported from TamilNadu during chola period or later ?

    How these statues get their berth in Singapore museum ?

    Pleae clarify.

  3. Hi,

    This was a special feature exhibition titled beauty in Asia. Bulk of the exhibits are permanent features in the museum, but the Uma Parameshwari was a special exhibit. Exhibitions do loan exhibits ( recently the sacred relics of Buddha were exhibited on loan from India).

    Quoting from their promotional material ”

    This exhibition will bring forth the many facets of beauty across Asian cultures, time and space. It is hoped that visitors will be exposed to the different notions of what is beautiful and that the experience they encounter from visiting the gallery will help them find both the outer and inner beauty of the people and things they encounter.”

  4. Dear Satheesh,

    Apart from the permanent exhibits in the museum, they do have regular events/ highlight programs, for which they arrange special exhibits on loan from various museums across the world.


  5. ஈர்க்கு இடை போகாத …. என்று புலவர்கள் பாடுவார்கள். இங்கே புரிநூல் இடை போகுதே?(::

  6. First and foremost, thank you so much for giving us this feast…. I came across your website couple of days ago in my quest to read about raja raja chola and his inscriptions. I am reading Ponniyin selvan for the 6th time. But this time I have a amazing resource in my hand, that is the web, to look at the places, and pictures ….

    I came across you website and haven’t stopped reading …. My heartfelt thanks to you for showing and explaining these invaluable treasure trove.

    Thank you.

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