Kungiliya Kalaya Nayanar Puranam – Darasuram

Today we are treated to another special thanks to Satheesh. Its a very special sculpture depicting one of the Periapuranam legends.

Its a very small sculpture, and causes some wrong interpretations as Markandeyar or kannapar.


Kannapar ofcourse is depicted right next to this panel. So who is depicted here?

Lets first analyse the sculpture in more detail.


Do you notice the slight slant of the Linga. That is the clue. Its Kungiliya Kalaya Nayanar. Lets see his story in full.

(courtesy : http://www.nayanmar.com/nayanmar3.htm)

Kalayanar, a brahmin devotee of Shiva lived in Tirukadavur. He considered it, his sacred duty to spread the scented smoke of kungiliyam in the temple. Even when he became poor, he continued this service. Kalayanar would rather forego his meals for several days than stop his kungiliyam service even for a day.

A time came when he had literally nothing on hand to continue this self-chosen devotional duty. In the meantime, he and his family had gone without food for several days. Kalayanar was blessed with an understanding wife.

She could stand no more the hunger of her children and so gave her auspicious golden necklace ( thali) to him requesting him to buy rice . He was to sell it and buy some rice.

When Kalayanar was going through the street with the golden ornament in his hand , a vendor of kungiliyam came on his way. Quite excited by the availability of a bag of kungiliyam, Kalayanar exchanged the necklace for the incense. The next moment found him walking to the temple, totally forgetting the hunger stricken family of his own . Entering the sacred precincts he fell unconscious as he had been without food for several days. Shiva appeared in his dream and advised him to go home and drink some milk and rich food and return . Waking up, Kalayanar was flabbergasted that Shiva should ask him to partake of a rich meal when his home had not a grain in the granary. All the same, he did not dare to disobey the Lord. He got up and went home.

Wonder of wonders! His house had changed beyond recognition. It was endowed luxuriously and the granary overflowed with paddy. The house was full of gold. Even as his darling wife fed Kalayanar and the other devotees of Shiva to her heart’s content, it was clear that for his lifetime hence forth Kalayanar would have no dearth of wealth to render his favourite service to Shiva.

As Kalayanar happily continued his service at Kadavur, he heard that in the temple at Tiruppanandal, the Linga had tilted to one side. The king had set his army to pull it back to its original angle but in vain. Kalayanar hastened to Tiruppanandal. Finding the army tired out and in a swoon, he decided to join their ranks. He bound one end of a rope to the image of Shiva and tied the other end to his neck and pulled hard. Shiva, at the touch of his devotee straightened himself in a trice to the wonder of all those present. The very heavens showered scented blossoms to mark the miracle.

images courtesy: Satheesh and http://www.kumbakonam.info/kumbakonam/darsuam/index.htm

Exotic Meat for the Lord – A monitor Lizard

We had earlier seen how Kannappar defied conventional practise by wearing sandals. Today we are going to see him present a monitor lizard to Shiva. Again, the Tanjore Big temple sculpture – the deeds of the shaivite saints so en captured the fertile mind of Raja Raja Chola, that he loved their amazing lives and depicted them on the walls of his great temple.
1880188718901884
Its a small sculpture, more like a story board of sculptures depicted the story of Saint Kannappar, but what interested me was this depiction of him presenting this meat ( being a hunter you can see him still clinging on to his boy and arrow, plus his hunting dog comes into the frame as well). The divine bliss resplendent on his radiant face, as he, with total devotion, presents the meat to the shiva lingam.

Is there a devaram reference to this,ofcourse there is, how else would the chola sculpture depict such an act!!
Eleventh Thirumurai

As per the verse out of his extreme love for the lord, he presents a fat uncooked lizard to him.

For more of this amazing story and depiction in the big temple, please read this lovely post of Mr. Gokul ( watch the Priest Siva Gochariar, hiding behind the tree, in the climax scene)

Gokul’s lovely post

Images courtesy: www.varalaaru.com

The devote who wore slippers

1793
Darasuram Airavateshwara temple sculpture, an amazing work of the hunter devotee of shiva, kannapar. We will see his story in more detail later, but one curious aspect of this sculpture attracted me to it. Its a splendid depiction of kannapar, the bow slung on his shoulders, the devotion in his face are brilliantly captured. But as you complete the sweep of the eye, the feet and what he wears on them startles you – a pair of lovely sandals.
1796
Normally one would refrain from wearing footwear inside Indian temples and so too are the sculptures inside, atleast the majority of them, the exceptions being shiva as the charming ascetic – shiva bhikshadhana and kannappar. Why is he depicted wearing these sandals? to answer that we need to go back to fourth thirumurai ( thanks to Mr. V. Subramanian again for giving me this verse reference)

http://www.thevaaram.org/thirumurai_1/songview.php?thiru=4&Song_idField=40490&padhi=049&startLimit=7&limitPerPage=1&sortBy=&sortOrder=DESC

In short, the ardent devotee kannapar, guarding the shrine of shiva with his bow and arrow on one hand, the cooked meat ( we will see this too later) on the other hand, wearing a large slipper made of animal hide….( and so goes the description)
1789
Now you see how intricately the sculptor has characterised each subject he worked on down to last detail.

Images courtesy

http://www.kumbakonam.info/kumbakonam/darsuam/